"Get down in the keys, Angela," is what I would like to say to
Angela Hewitt, who has recorded ALL of Bach's piano music. It took her 11
years, and she calls Bach's piano music, particularly his Well-Tempered Clavier
"some of the most demanding music ever written."
I have no doubt of it.
The concertos that I know well, from Murray Perahia and others, have become mine, so to speak. I hear them whether or not the CD is playing. And so I have bought Angela Hewitt's recordings of them because she is heralded as a Bach expert. And so she must be.
Still, I'd like her to get down in the keys. By that I don't mean play louder. It isn't necessarily volume. It's the tone. I mean get a more solid tone. No ticking of the ivories. I know she knows how. I hear it in the Fantasia and some of the Partitas and in some movements of the concertos.
But who am I to make such comments? She's the artist, and highly acclaimed throughout the world, at that.
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